A Marxist Study of Shakespeare's ComediesThis book is both a study of Shakespeare's comedies and an exercise in Marxist criticism. Discussing aspects of the plays that other critics approach as if they existed in a social vacuum. |
Contents
THE MERCHANT OF VENICE | 6 |
And from Your Love I Have a Warranty Thriving | 23 |
Irony | 34 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
abstract achieve action allows Antonio appears appetite argues aristocratic attitude authority autonomy Bassanio battle become Belmont characters comedies complete conclusion consciousness Consequently contains contents continuous creates critics depends determine develops disguise Duke effect environment established express fact Falstaff fantasy feelings forces forest Fortune Francis freedom function give Hal's harmony Henry holiday Hotspur human ideal ideology imagination indulgence initial interests King language lovers maintain Malvolio master material Midsummer Night's Dream mind moral nature needs Night objective Olivia one's opposes opposition Orsino pastoral play political Portia position primary world Prince protagonists protects qualities relation remain replaces responsibility retreat ring role Rosalind ruling class second world sense separate servant serve Shakespeare social society stature strategy structure style subjective tavern Theseus thou transforms Twelfth Night Venice Viola wealth whereas