A History of the Cadence in Polyphonic Vocal Music Through the Fifteenth Century |
Contents
THE CADENCE IN THE MUSIC OF THE EARLY | 6 |
THE CADENCE IN THE POLYPHONIC COMPOSITIONS | 33 |
THE THIRTEENTH CENTURY CADENCE | 50 |
6 other sections not shown
Common terms and phrases
14th century according to Formula ACCORDING TO TYPE analysis appears appoggiatura approach Ballades BASS AND TENOR beginning Burgundian C-sharp Cadences according cadential cadential styles cent Classification of Cadences clausula collection composers compositions considered consonance contains Continued dissonance Dorian Double Dufay early edited elements embellishment evidence Example final cadence final sonority five Formula and Mode four four-voice French frequency Gloria Group harmonic illustrated important indicates internal Ionian Italian Italy Josquin Landini Lydian Lydian cadence Machaut madrigal major 3rd major triad manuscript Mass method Misc Mode Total motion movement Obrecht occurs Ockeghem octave Open organa organum ornamentation percentage perfect period Phrygian pieces plagal polyphonic preceded predominant present principal produces progression referred represented Rokseth sacred secular music shown shows style Table texture three-part three-voice motets tonal transcriptions two-part two-voice unison upper various voice