Acting: Its Idea and Tradition |
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achieve acting actor amateur appear artist Athenian audience beautiful beginning better body called century character close comedy concerned Corneille create critical dance deny doubt drama effect Elizabethan emotion equally expression face French gave genius gesture give Greek Hamlet hand hear held human idea imagine importance individual inflection interpretation Irving judged Kean Kemble kind largely later less limit lives look manner meaning mind Miss Molière move movement nature never night paint perfection performance perhaps personality play players poet possible raised remember repeat result Sarah Bernhardt seemed seen sense Shakespeare sometimes speaking speech stage stand story style success taste technique tell theatre theatrical thing thought tion to-day told tradition tragedy tragic true truth voice whole writing