Arcangelo SassolinoThe imposing machine-sculptures of Arcangelo Sassolino (born 1967) draw on the character and functions of construction equipment, often exercising extreme force on a range of materials with a detached sci-fi ominousness. This first monograph provides a rich visual appraisal of the artist's works and an overview of their historical context. |
Contents
Preface | 7 |
Attrito Continuo 20052006 | 8 |
Un Ballet Mécanique | 14 |
Copyright | |
9 other sections not shown
Common terms and phrases
Aaron Moulton action aesthetic Afasia Arcangelo Sassolino artist Attrito Continuo Auto-Destructive Art become block Calvin Tomkins Chris Burden Christoph Doswald classical claw compressed at 220 compressed nitrogen construction contemporary created creative creatures cube curator and writer cylinder dangerous Destruction in Art electrovalve energy engines equilibrium everything exhibition fact fear floor Francesco Stocchi function glass Gustav Metzger Guy Debord Henry Art Gallery human hydraulic pump idea inches installations Jasper Sharp Jean Tinguely John Canaday JRP Ringier machine machine-creature Marc-Olivier Wahler Marcel Duchamp metres Milan Momento movement Museum of Modern nitrogen compressed painting Palais de Tokyo physical piece Pietro Fiorentini plate pressure produced realized Rebecca Horn Reinforced concrete result risk Robert Rauschenberg Sassolino's objects sculpture seems sense Serra's sheet sound space Steel and nitrogen there's things Tinguely's Titian tonnes of force Ulrich Beck Untitled Vicenza viewer visual wall wood York