Atlas of Vernacular Architecture of the World

Front Cover

The first world atlas ever compiled on vernacular architecture, this comprehensive work illustrates the variety and ingenuity of the world's vernacular building traditions from a multi-disciplinary, cross-cultural and comparative approach, using over sixty world and regional maps.

Mapping such diverse aspects as materials and resources, technologies, structural systems, symbolism, forms and service systems on a cross-cultural and comparative basis, the Atlas of Vernacular Architecture of the World reveals the distribution, diversity and relationships of the world's vernacular building traditions. Indicating geographical patterns, developments, lacunae and anomalies, it gives rise to new insights and understandings, stimulating new hypotheses, questions and research efforts.

Augmenting the award-winning Encyclopedia of Vernacular Architecture of the World, the Atlas of Vernacular Architecture of the World constitutes a unique and unparalleled resource for anyone involved in the growing field of vernacular architecture studies, including architects, geographers, art historians, planners, folklorists, conservationists, builders, and anthropologists as well as being of use to all those working in the fields of heritage conservation, architecture, regeneration, energy efficient building, resources management, development and sustainability.

From inside the book

Contents

Topography
6
Economy
12
12
42
Copyright

9 other sections not shown

Common terms and phrases

About the author (2007)

Paul Hereford Oliver was born in Nottingham, England on May 25, 1927. He trained as a painter and sculptor at the Harrow School of Art, but switched to graphic design because most art materials aggravated his asthma and various allergies. After receiving a diploma from Goldsmith's College in London in 1948, he returned to the Harrow County School to teach art. In 1955, he received an art-history degree from the University of London. He wrote numerous books on blues music including Bessie Smith, Blues Fell This Morning, The Story of the Blues, Screening the Blues: Aspects of the Blues Tradition, Savannah Syncopators: African Retentions in the Blues, Songsters and Saints: Vocal Traditions on Race Records, Broadcasting the Blues: Black Blues in the Segregation Era, and Barrelhouse Blues: Location Recordings and the Early Traditions of the Blues. He was also as an architectural historian. His books on architecture included Shelter and Society, English Cottages and Small Farmhouses: A Study of Vernacular Shelter, Dwellings: The House Across the World, and Built to Meet Needs: Cultural Issues in Vernacular Architecture. He died on August 15, 2017 at the age of 90.