Bach Studies from Dublin: Selected Papers Presented at the Ninth Biennial Conference on Baroque Music, Held at Trinity College Dublin from 12th to 16th July 2000Anne Leahy, Yo Tomita The eighth volume in the IMS series analyzes the performances of Bach in Ireland and abroad. Contents; Ido Abravaya - The Baroque upbeat: outline of its typology and evolution, Harry White - Johann Joseph Fux and the question of Einbau techniqueJanice B. Stockigt - The royal Polish and electoral Saxon court and state calendars, 1728-50, Rebecca Kan - Vivaldi, Bach and their concerto slow movements , Gregory Butler - The Prelude to the Third English Suite BWV 808, Don O. Franklin - Bach's temporal design for the Goldberg Variations, Robin A. Leaver - Death and beyond in Bach's vocal music, J. Drew Stephen - Bach's horn parts, Martin Elste - Bach in North America during the Shellac era (1900-50), Dorottya Fabian - Bach performances during the late 20th century, John Butt - Bach in the 21st century, Yo Tomita - Bach's Credo in England, Barra Boydell - Performance of Bach's vocal music in Dublin in the 19th and early 20th centuries, Hans-Joachim Schulze - Bach at the turn of the 20th century (Series: Irish Musical Studies) |
Contents
PERFORMANCE PRACTICE | 7 |
PREFACE | 11 |
1 | 17 |
Harry White University College Dublin | 29 |
for the Goldberg Variations | 103 |
THEOLOGY | 129 |
alternatives to nodal venting | 149 |
RECEPTION | 198 |
an early history | 205 |
Bach at the turn of the twentyfirst century | 247 |
INDEX OF WORKS | 261 |
Copyright | |