Beauty in a Broken PlaceToibin's drama brilliantly re-enacts and evokes the personalities and workings of the Abbey Theatre in 1926. Lady Gregory, Yeats and O'Casey defend their daring play against the stifling mores of the day and the rule of the rabble and the widows of the 1916 leaders. It is a timely reminder of the perennial conflict between the demands of art and of politics in Irish cultural life. As Sean O'Casey addresses the ghost of Lady Gregory he recalls Yeats' Monday evening gatherings and early visits to Coole Park, and the staging, rehearsal and enacting of The Plough and the Stars, itself commissioned for the tenth anniversary of the 1916 Rising. This inner drama has walk-on parts for the principals: Abbey manager Lennox Robinson, directors WB and Mrs Yeats, government-appointed board-member George O'Brien, actors Shelagh Delaney, Ria Mooney, Miss Crowe and McCormack, and street demagogues Hannah Sheehy Skeffington, Mrs Tom Pearse and Maud Gonne protesting the mockery of martyrs. |
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Common terms and phrases
Abbey Theatre actors appear Army Arts asked beauty better called Casey cause clear coming Company Coole CRAIG credits include cuts dead designed DIRECTOR don't Dublin eyes face flag Free freedom GILHOOLEY girl give going hand hate hear heard hope husband imagine Ireland Irish Italy John keep knew LADY GREGORY ladyship light lines look Lord MacBRIDE matter MAUD GONNE MCCORMICK mean meeting MICHIGAN mind MISS CROWE MISS DELANY MISS MOONEY never night Nora O'BRIEN Yes O'CASEY once Peacock performance Perhaps play Plough ready remember rest ROBINSON seen SHEEHY SKEFFINGTON soon sort speak stage stand Stars stop streets suppose sure tell there's thing thought told train VOICE waiting walk wanted Week whole wish woman women write wrote YEATS young