Carl Rice Embrey: A RetrospectiveArtist Carl Rice Embrey of San Antonio has produced a body of work that is unusual in its development and remarkable in its pursuit of a personal vision. Receiving his M.F.A. from the University of Texas in the mid-1960s, he began his career in an abstract expressionist style, then developed an expressionism in which representation returned, and finally arrived at a meticulous realism, in which abstraction plays a part. It has been a journey back to his place of origin, the landscape--both natural and human--of his ancestral home in Hamilton, Texas. Compared at times to Andrew Wyeth, with whom he shares stylistic affinities, Embrey does not, however, share Wyeth's emphasis on narrative qualities. His work is much closer to the tradition of Dutch landscapes and townscapes of the seventeenth and eighteenth centuries in its clarity of vision and to Edward Hopper in its attention to light. But it is also a product of imagination--a landscape of memory. This volume is the catalog of a retrospective of Embrey's work organized in 1997 by San Antonio's McNay Art Museum, as the second of five retrospectives planned to honor and document the work of artists who have made a major contribution to the visual arts in San Antonio and South Texas. With dozens of color plates, the catalog illustrates the development of Embrey's art. An introductory essay by William J. Chiego analyzes the essence of Embrey's vision and traces his painting style from the mid-1960s until today. The catalog also includes an extended interview with the artist. An exhibition checklist, bibliography, and list of the collections and exhibitions of Embrey's work completes the volume. |
Contents
Foreword | |
William J Chiego and Allison Hays Lane | |
Chronology | |
Copyright | |
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Acrylic on panel Alfred Goodman Antonio Art Institute Antonio Art League art history artist Aunt Edith Austin brush Buddy Carl Denby Embrey Carl Embrey Carl Rice Embrey Chiego color composition Courtesy of M B Creek at Ambrose's Dallas Dawn Marie drawing East Light Embrey's Everett Spruce fascinated father Goddard Graphite on paper Hamilton Herald-News Hopper Houston inspiration intrigued James Monroe Jim Toombs Kolinsky sable Koogler McNay Art Lake Forest landscape look M B Modern Maggie Belle Marion Koogler McNay McNay Art Museum Meredith Long painter panel 24 panel 24 x panel 48 paper 11 Perry Schoenfeld Plate Poston retrospective Rhys Road at Ambrose's San Antonio Art San Antonio Express-News San Antonio Light Section sense Shailesh and Ami structure Study surface talk teaching Texas Courtesy things Thomas Benton Hunter University of Texas Watercolor on paper William window Workshop Wyeth York