Catalogue of an Exhibition of Engravings by Marc-Antonio Raimondi, His Pupils & Followers, to be Opened on Saturday the Eighteenth of September, and to Last Until the End of October 1909. R. Ederheimer, Print Cabinet ... New YorkPrinted at the Goerck Art Press, 1909 - 37 pages |
Common terms and phrases
address of Lafrery address of Sala address of Salamanca Aeneas Agostino Veneziano amongst Antonio artist Baccio Bandinelli Bartsch calls beautiful engraving beautiful impression beautiful old impression Bologna Brilliant impression British Museum burin Capital plate CATALOGUE Cecilia Chicot Christ clair obscur clair-obscur from three collection continues Vasari copper copy cypher Delaborde mentions Dente da Ravenna design of Raphael EDERHEIMER Engelmann Cat Engraved after Raphael's engraved by Marc-Antonio exhibition extraordinary beauty extremely rare fact finest finished Fogg Museum fresco Giulio Romano Judgment of Paris Lucas van Leyden Madonna manca Mantua Marc MARC-ANTONIO RAIMONDI Marc-Antonio's most capital Marco da Ravenna Marco Dente Marsyas Martyrdom of St Massacre master Mezzotint Michel-Angelo Mount Parnassus Naiads NUMBER FOUR obscur from three painting Passavant perfect condition Pope Raphael's Cartoon Raphael's design rarity repaired representing reproduction facing Rome says second impression seen style three plates Vatican Venice Venus and Cupid Wood-cuts in Clair-Obscur Woodcut in clair
Popular passages
Page 1 - Vasari, proceeding in the undertaking, they published an infinite number of prints, by which they acquired great gain.
Page 8 - Rqffaelle ; called The Virgin with the Steps, Mary Magdalene at the feet of Christ, in the house of Simon the Pharisee ; do.
Page 2 - Aretino added an indelicate sonnet, which work was very "highly reprobated by Pope Clement. And indeed, if, when it was published, Giulio Romano had not already gone to Mantua, he would have "been severely punished by the offended Pontiff, and as the prints were "found...
Page 1 - But to return to Marc-Antonio, continues Vasari, who being arrived _| "in Rome, engraved on copper a most beautiful design of Raffaele da ' "Urbino, representing Lucretia .killing herself, which he executed with so "much care and delicacy of manner, that upon its being immediately "carried to...
Page 1 - Raffael, and another print, in which was "represented the death of S. Felicita in a cauldron of boiling oil, and the "decapitation of her sons: by which works Marc- Antonio acquired so "great a reputation, that his prints became much more esteemed, on "account of their fine style of design, than those of the Flemings, and the "venders of same made large profits.
Page 18 - GALATEA standing in a car drawn by dolphins, and surrounded by sea nymphs, cupids, and tritons. From the celebrated fresco by Raffaello in the Farnesina Palace. B. 350. 1048 NEPTUNE appeasing the tempest, which ^Eolus has raised against the Fleet of /Eneas. From a design by Raflfaello called The
Page 2 - Marc-Antonio meanwhile continuing to practice his art, engraved, "he says, of a small size, the twelve Apostles, in different ways; and also "many figures of male and female Saints: in order that inferior painters, "not well practised in design, might avail themselves of them as their "occasion required.
Page 7 - The above two versions of this subject have received the attention of authors as well as connoisseurs in all periods, and have given rise to a literary dispute which does not seem to have been decided yet Malvasia, who gives a very romantic story about the two plates, states that both were engraved by MarcAntonio...
Page 8 - Raphael himself attached special care to this composition. It is therefore not at all impossible that after the great success the engraving had met with, MarcAntonio himself repeated it, after the first plate had been worn out. As both plates are equally beautiful and equally rare it is hard to say which one is the more valuable of the two.