Christopher Marlowe's Representation of Love: A Challenge to the English Renaissance Amorous Discourse |
Contents
Introduction | 11 |
The representation of liminal lovers | 61 |
The function of sight in Christopher Marlowes Hero | 101 |
Copyright | |
5 other sections not shown
Common terms and phrases
actors affection allusion ambivalent amorous analogies analysis argues Baldini beauty beholders beloved Blount's Brydges caesura Chapman's Christopher Marlowe comedies Commedia dell'Arte critics crown death declares depiction Discovrse drama edition editors Edward and Gaveston Edward II emblem emblematic emendation emphasises employed England English Renaissance entertainments epyllion exclaims function Gaveston haue heauen Hero and Leander Hero's Holinshed implicitly included interpretation Italian King King's favourite Leander and Edward Leander's sexual lexeme Lightborn liminal lines literary London loue lovers marginal gloss marigolds Marlowe's Hero Marlowe's poem maskes means modern Mortimer murder Musaeus myth narrator narrator's Neoplatonic Neptune Neptune's nobles Orgel Ovid particularly explicit passage passion periphrasis periphrasis of night poetry printed provides further evidence quarto Rape of Lucrece reference reveals scene seduce Shakespeare's sight significance sigs soliloquy speech stage stressed suggests sweet testifies textual thou tion title-page transposition Tucker-Brooke's Venus and Adonis Venus's visual perception vpon youth