Classic Fiction of the Harlem Renaissance

William L. Andrews

Oxford University Press, 1994 - Fiction - 403 pages

The first collection ever assembled of the most distinctive, influential, and widely appreciated novels and short stories of the Harlem Renaissance, this anthology opens a window on one of the most extraordinary assertions of racial self-consciousness in Western literature. With an insightful introduction to provide historical context and a lucid biographical headnote about each of the authors, this volume brings together under one cover the Harlem Renaissance literature most widely taught. Short stories include "Sweat" (1926) and "The Gilded Six-Bits" (1933) by Zora Neale Hurston, Rudolph Fisher's "Miss Cynthie" (1933), and "The Blues I'm Playing" (1934) by Langston Hughes. The novels Home to Harlem (1928) by Claude McKay and Nella Larsen's Quicksand (1929) are featured in their entirety, along with major selections from Jean Toomer's Cane. Added features include a chapter from Wallace Thurman's Infants of the Spring (1932), a notorious roman a clef about the Harlem Renaissance, and Rudolph Fisher's half tongue-in-cheek "Introduction to Contemporary Harlemese, Expurgated and Abridged" (1928). For students and teachers alike, there can be no more effective or enjoyable way of exploring the intellectual concerns, the ideological perspectives, and the artistic innovations of the Harlem Renaissance.

About the author

William L. Andrews was born in 1946. He earned his B.A. from Davidson College in 1968. He received his M.A. in 1970 and Ph.D. in 1973, respectively, from the University of North Carolina-Chapel Hill, where he is currently the E. Maynard Adams Professor of English. His first book, The Literary Career of Charles W. Chesnutt, published in 1980, deals with a seminal figure in the development of African American and Southern American prose fiction. While researching To Tell a Free Story, a history of African American autobiography up to 1865, Andrews became greatly interested in autobiography studies. Since 1988 he has been the general editor of a book series, titled Wisconsin Studies in Autobiography, which is published by the University of Wisconsin Press. Since the mid-1980's he has done a considerable amount of editing of African American and southern literature and criticism. The fruition of this work has been The Norton Anthology of African American Literature, published in 1997, The Oxford Companion to African American Literature, also published in 1997, and The Literature of the American South: A Norton Anthology, three big collaborative projects that Andrews has co-edited. He went on to be the series editor of North American Slave Narratives, Beginnings to 1920, a complete digitized library of autobiographies and biographies of North American slaves and ex-slaves, funded by the National Endowment for the Humanities, Ameritech, and the University of North Carolina at Chapel Hill.

Bibliographic information

• Title: Classic Fiction of the Harlem Renaissance
• Editor: William L. Andrews
• Edition: abridged, illustrated
• Publisher: Oxford University Press, 1994
• ISBN: 019508196X, 9780195081961
• Length: 403 pages
• Subjects: Fiction / Anthologies (multiple authors); Fiction / Classics; Fiction / General; Fiction / Short Stories (single author); History / African American & Black; Literary Collections / American / African American & Black; Literary Collections / American / General; Literary Criticism / General; Social Science / Black Studies (Global)