Color Theory and the Use of Complementary Color Effects in the Works of Delacroix, Seurat, and Signac |
Common terms and phrases
accents additive mixture adjacent angel's appear areas background balanced blue and orange broad Cachin canvas central cloak clothing color scheme coloristic combined complementary pairs composition continued contrast corner create dark deep Delacroix detail distance divided divisionism divisionist brushstroke dominant edged effect figures flecks foreground forms frame gold grass gray grey hair harmony hazy Heliodorus Herbert highlights Homer hues intense Jatte juxtaposed lavender Lee Johnson less light look lower medial mixture merge method mixed Neo-Impressionists objects observed opposed pairs optical mixture painting pale blue palette Paris pastel pigment placed Plate primaries produce pure red and green reflected repeated Reproduced result river rose scientific Seurat shaded shadows shimmer Signac silhouetted skirt stand strokes Sulpice sunlight surface technique theory tinged tinted tones touches trees upper viewing violet visual mixture wall Webster Woman yellow