Crash: Computer Assisted HardcopyThe original show was presented in 1988 at the University of Wisconsin-Madison. The intent of this first exhibit was to show how the computer was being used by artists to produce prints, drawings and paintings -then a relatively new art form. |
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36 Equilateral Triangles ACM/SIGGRAPH animation Art Gallery Art Museum art piece Arte Moderno Artificial Intelligence Arts Center artwork aspects Atlanta Barbara Nessim behavior Beloit College Museums Biennial Bronx Museum Buckminster Fuller California color Computer Art Computer artists computer graphics computer image computer-assisted art computer's Computers and Art Copper Giloth CRASH creative David Rokeby Department of Art developed drawings Electronic Art elements Everson Museum exploring expression Frieder Nake Gene Youngblood George Cramer Hardcopy human IBM Gallery ideas Illinois imagery interaction Israel Kazuya Sakai machine Marianne Heske matrix Mexico Minnesota modularity and logic monitor Museo de Arte Museum of Art Pathway Series Patric photographic Phyllis Kind Gallery pixel plotter printmaking puter art randomness roles Selected Exhibitions SIGGRAPH 86 space Statement symbolic techniques temporary Art tion tional tool University of Wisconsin-Madison video camera viewer vision visual arts West Germany World Window York