European Civil War Films: Memory, Conflict, and NostalgiaThis book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojević, and Angelopoulos. |
Contents
1 | |
5 | |
Cinematic Postmemoriesm of the Last Great Cause | 21 |
Michael Collins and the Wind That Shakes The Barley | 66 |
Underground and No Mans Land | 92 |
The Travelling PlayersThe Uses of Intertextuality | 117 |
7 Conclusion | 146 |
Appendix I | 155 |
Notes | 157 |
Filmography | 173 |
175 | |
185 | |
Other editions - View all
European Civil War Films: Memory, Conflict, and Nostalgia Eleftheria Rania Kosmidou Limited preview - 2013 |
European Civil War Films: Memory, Conflict, and Nostalgia Eleftheria Rania Kosmidou No preview available - 2016 |