Foundations of Practical Harmony & Counterpoint |
Contents
CHAPTER PAGE I COMMON CHORDS | 3 |
FIRST INVERSIONS OF THE COMMON CHORD | 14 |
HARMONIZATION OF MELODIES | 21 |
TWO OR MORE NOTES TO ONE | 29 |
THE CHORD OF THE DOMINANT 7TH IN Root POSITION | 35 |
SUSPENSIONS | 41 |
THE INVERSIONS OF THE DOMINANT SEVENTH | 49 |
APPOGGIATURAS CHANG ING NOTES AND ANTICIPATIONS | 53 |
THE DOMINANT MAJOR AND MINOR NINTH | 72 |
PART II | 81 |
MELODY AND RHYTHM | 83 |
THE HARMONIC ASPECT | 89 |
COMBINATION OF Two PARTS IN THE FIFT CIES | 94 |
COUNTERPOINT IN THREE PARTS | 101 |
CHAPTER PAGE | 107 |
SUSPENSIONS | 117 |
ELEMENTARY MODULATION | 59 |
THE SECONDARY CHORDS OF THE SEVENTH | 65 |
APPENDIX I | 143 |
Copyright | |
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Foundations of Practical Harmony & Counterpoint, Volume 1 Reginald Owen Morris No preview available - 1931 |