From the Globe to the Screen: An Interpretive Study of Shakespeare Through Film |
Contents
ORSON WELLESS MACBETH | 17 |
ORSON WELLESS OTHELLO | 56 |
ORSON WELLESS CHIMES | 93 |
Copyright | |
4 other sections not shown
Common terms and phrases
action ambiguous audience Banquo battle of Shrewsbury becomes begins Bradley camera Cassio castle chaos character Chimes at Midnight cinema Claudius Conscience context contrast Cordelia court creates critical Cubism cuts Desdemona Dover Wilson drama Edgar Edmund elements Elsinore emphasize evil Falstaff figure focus full-frame close-up Ghost Gloucester Gloucester's Goneril Grigori Kozintsev Hamlet hear Henry Henry IV hero hero's Hotspur human Iago Iago's important Jan Kott Jorgens King Lear knight Kott Kozintsev Kozintsev's film Kozintsev's treatment Lear's Macbeth montage Moreover move movement Ophelia Orson Othello peasants perception perspective Polonius present prince production Regan rejection relationship reveal rhythm scene sense shadow Shakespeare films Shakespeare on film Shakespeare Our Contemporary Shakespeare's play Shakespeare's text soldiers soliloquy soundtrack Soviet director Space of Tragedy speaks spectator speech spiritual stage storm tavern tension understand University Press visual voice-over wandering watch Welles's film Welles's treatment witches witness words York