German Social Drama, 1840-1900: From Hebbel to Hauptmann |
Contents
1 Naturalist Dramatic Theory and | 1 |
The Naturalist revolution and the drama | 96 |
Max Halbe | 147 |
Copyright | |
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accept analysis analytical Anzengruber Anzengruber's appears artistic aspirations attempt awareness basic believe Berlin Brahm character clear clearly completely conception concern conflict confront conscious contemporary creative crisis critics decisive determined determinist Die Weber dramatic action dramatist Dramaturgie drive effect emotional energies Erbförster essentially existence experience fact failure feeling figures final force Frau Freie Bühne Friedrich Hebbel fully Gerhart Hauptmann German Gutzkow's Hanne Hauptmann Hebbel Henrik Ibsen Henschel hero's Ibsen imaginative impulse individual inner insight intensity involved Johannes Klara Kritiken Leipzig Ludwig LUDWIG ANZENGRUBER Maria Magdalena Max Halbe Meineidbauer moral Naturalist drama nature plays portrayed positivistic possible preoccupation pressures protagonist realisation referred to subsequently relationships reveal Richard Savage Rose Bernd Rosenmontag Schlenther seems seen Selicke sense sexual significance situation social drama society specific stems Sturm und Drang tendency tensions tragic Ulrich understanding vierte Gebot vision Vockerat weavers Werke whole