Hamlet from Edwin Booth to Laurence Olivier: Some Changing Interpretations Reflecting Changes in Culture and in the Tastes of AudiencesColumbia University, 1959 - 522 pages |
Contents
to Be Followed | 7 |
THE INFLUE CE OF THE AUDIENCE ON THE THEATER | 20 |
Theaters to the MidNineteenth Century | 27 |
13 other sections not shown
Common terms and phrases
acting actor American appeared attention audience Barrymore become believe Betterton to Irving Brown calls century changes chapter character Charles common Company contemporary Craig critics culture death December discussing Drama Edited Education Edwin Booth effect Elizabethan England English Evans experience expression father February feeling Forbes-Robertson Forrest Garrick George Gielgud Hamlet Henry Irving History ideas important influence interest interpretation Irving's John Kean Kemble King later less light lines Literature London Lyceum Macready manner March mind natural nineteenth century notes November observes October Odell Olivier Ophelia performance period person Phelps play Players points popular present production Publishers Queen quoted references Review Richard role says scene scenery seems seen Shakespeare Shakespeare from Betterton Shakespearian social soliloquy speak speech stage star style success suggests taste theater theatrical thought University Press whole Winter World writes York