History of Literature in Canada: English-Canadian and French-Canadian

Front Cover
Reingard M. Nischik
Camden House, 2008 - History - 605 pages
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature.

From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations.

Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber.

Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.

 

Contents

Aboriginal Oral Traditions
27
The Whites Arrive White Writing before Canada 10001600
38
Historical Background
47
Colonial Literature in New France
58
Historical Overview
69
FrenchCanadian Colonial Literature under the Union Jack
88
the Nation 18671918
113
FrenchCanadian Literature from National Solidarity
127
FrenchCanadian Drama from the 1930s to
270
Sociopolitical and Cultural Developments from
285
EnglishCanadian Literary Theory and Literary Criticism
291
The EnglishCanadian Novel from Modernism
310
The EnglishCanadian Short Story since 1967
330
EnglishCanadian Poetry from 1967 to the Present
352
Contemporary EnglishCanadian Drama and Theater
373
Canons of Diversity in Contemporary
387

Politics and Literature between Nationalism
149
EnglishCanadian Poetry 19201960
159
The EnglishCanadian Novel and the Displacement
174
The Modernist EnglishCanadian Short Story
194
Early EnglishCanadian Theater and Drama 19181967
207
French Canada from the First World War to 1967
222
FrenchCanadian Poetry up to the 1960s
228
The FrenchCanadian Novel between Tradition
242
The FrenchCanadian Short Story
264
Literature of the First Nations Inuit and Métis
413
The Quebec Novel
429
The FrenchCanadian Short Prose Narrative
450
Orality and the FrenchCanadian Chanson
470
Transculturalism and écritures migrantes
497
Further Reading
519
Notes on the Contributors
545
Copyright

Common terms and phrases

About the author (2008)

Reingard M. Nischik is Professor and chair of American literature at the University of Constance, Germany.

Bibliographic information