Icon and Idea1955 |
Contents
ILLUSTRATIONS | 9 |
THE VITAL IMAGE | 17 |
THE DISCOVERY OF BEAUTY | 35 |
Copyright | |
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abstract activity aesthetic animals architecture artist awareness beauty become Byzantine called carved Caspar David Friedrich cave at Lascaux Christian Collingwood composition conceived conception Conrad Fiedler constructive created culture distinct dome drawing eidetic image elements emotion epoch evolution existence experience expression faculty feeling formal Gabo geometric art Gestalt Gestalt-free Gothic Greek haptic harmony human consciousness human figure idea ideal imagination instinctive intuition Juan Gris Krater Lascaux Leonardo Leonardo da Vinci London Louvre Museum magic Masaccio mind modern naturalistic nature Naum Gabo neolithic Neolithic period numinous objects painter painting Paris particular pattern Paul Klee perception perhaps perspective philosophy Photo Piet Mondrian Plate pottery prehistoric principle psychological R. G. Collingwood reality realized religion represent representation ritual Scholasticism sculpture Self-portrait sensation sense sensibility sensuous seventh century shape significance sixth century B.C. space stage style stylized Sumerian symbol symmetry theory tion transcendental unconscious visual vitality word York