In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France |
Contents
ROMANTICISM AND TRAGEDY | 1 |
5 | 25 |
SCHILLER AND THE IMPORTANCE OF GERMAN | 53 |
Copyright | |
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action attempt audience Beatrice Beatrice Cenci beautiful soul become Bertram Brutus Byron's Cain Cenci characters classical Coleridge create cultural death defined destruction discover divine dramatist dream Egmont Elector English Faliero Faust figures final finds future German gods Goethe Goethe's Gothic Greek Hegel Heinrich von Kleist Hernani hero heroic heroism Homburg Hugo Hugo's human ideal identity imaginative innocence Iphigenia Kleist literary London Lorenzaccio Lorenzo lyric man's Manfred mantic Marino Faliero melodrama Mephisto modern monodrama moral murder Musset Musset's Lorenzaccio neoclassical neoclassicism nineteenth-century Othello Paris play playwrights plot poetic Poetry political popular present Prince's Prometheus Prometheus Unbound providential quest rebel reveals revolt revolutionary role romantic drama romantic protagonist romantic tragic drama romanticism scene Schiller seeks self-anatomy self-consciousness selfhood sense Shakespeare Shelley Shelley's social society stage struggle theater theatrical Théophile Gautier tion traditional tragedy turn University Press villain-hero violence visionary Wallenstein York