Jacob EpsteinChapman & Hall, Limited, 1932 - 141 pages |
Contents
EARLY DAYSTHE ROCK DRILL | 6 |
STRENGTH OF MEDIEVAL SCULPTUREITS | 12 |
THE APPROACH TO | 20 |
Copyright | |
12 other sections not shown
Common terms and phrases
achievement æsthetic taste ancient appeal architectural sculpture artist beauty Beethoven Bronze Paul Laib bronze portraits carving in Portland casting CHAPTER chisel Christ clay complete conception consciousness create criticism degree dignity Direct carving drawings elemental motives eloquent ELSA LANCHESTER emotional Epstein's art evocativeness experience expression Facing fact feeling figure fundamental Genesis genius human ideas imaginative impression impulse influence Jacob Jacob Epstein JACOB KRAMER JOAN GREENWOOD less light LINE AND WASH look Madonna and Child mankind manner marble matter means medium metal modelling mystery naturalistic nature ness never organised painting Peggy Jean plastic Portland Stone possession primitive profoundly profundity programme music purely RABINDRANATH TAGORE RAMSAY MACDONALD realised regarded religious Rima Rodin seen sense sensitive serenity significance simplicity sion spiritual strangely studio surface Sybil Thorndike technical dexterity technique tendencies things thinking thought tion truth unity vigour vision vital W. H. HUDSON wholly