Masks, Mimes and Miracles: Studies in the Popular TheatreStudies in the popular theatre investigating the development of a popular dramatic tradition which reached its culmination among Italian actors in the 16th and 17th centuries. |
Contents
i INTRODUCTORY | 17 |
iii EPICHARMUS AND THE GREEK Mime | 38 |
iv THE PHLYAKES | 50 |
Copyright | |
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Common terms and phrases
Accesi acting actress appears Arlecchino Arlequin arte Atellan Athenæus Bartoli Baschet Battista Biancolelli Bibliothèque Bologna Brighella burlesque called Capitano Casanatense Cecchini character comedy comic commedia commedia dell Confidenti connexion Correr Corsiniana Costantini costume Croce D'Ancona Dorian Dottore Duchartre Duke Duke of Mantua E. K. Chambers early entertainers Epicharmus evidence fabula Atellana farce Fedeli Ferrara figures Flaminia Florence France Francesco Ganassa Gelosi Giovan Graziano Greek Grysar Herakles Herodas Isabella Andreini Italian J. P. Migne jongleurs later Locatelli Lover Mantua Martinelli masks medieval mentioned Mezzetino Milan mime mimic actors mimic drama MIMIC FOOL mimus Modena troupe Naples Orazio Pantalone pantomime Paris Parma Pedrolino performers Perrucci Petraccone Phlyax play players popular probably Pulcinella Rasi records reference Reich Roman Rome says Scala scenarii scenes secular seems servant seventeenth century Signor stage supra theatre theatrical theme vase Venezia Venice wife words Zanni καὶ