Modernism in the 1920s: Interpretations of Modern Art in New York from Expressionism to Constructivism |
Contents
Institutions and Dealers | 5 |
The Critics and Their Premises | 35 |
Expressionism | 44 |
Copyright | |
6 other sections not shown
Common terms and phrases
aesthetic Alfred Stieglitz American Art American artists analysis Anderson Galleries April Archipenko Archives of American Armory Show art critics Art Digest art world Arts and Decoration avant-garde Bourgeois catalog Cézanne Charles Demuth Charles Sheeler Chirico color commented Constructivism Constructivists Cubism Dada Dadaists December Dial display Duchamp essay European Exhibition of Modern Exposition expression Expressionists February Fernand Léger Forbes Watson formal German art German Expressionism Gleizes Guy Eglington Henry McBride idea important included intellectual International Studio interpretation Jane Heap January John Marin Joseph Stella Josephson Kandinsky Katherine Dreier Little Review Lloyd Goodrich Machine Age major Marsden Hartley Matisse modern art modern artists Modernistic movement Museum of Modern November October painter Paris Picabia Picasso presented Rosenfeld Sheldon Cheney Société Anonyme spirit style Surrealism teens Theatre theory Thomas Craven Turkel unpaginated Vanity Fair Walter Pach Western Art Whitney Studio Club writers wrote York Herald York Sun Zayas Zigrosser