Neo-classic Drama in Spain: Theory and Practice |
Contents
CENTURY | 3 |
The Diario de los Literatos | 14 |
Qualifications of Luzán Reasons for republishing Poetics in 1789 Differences between | 45 |
Copyright | |
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Aben Humeya action actors Aristotle audience beautiful believes Bretón Calderón censure century characters classic Clavijo y Fajardo comic composed Corneille Cotarelo y Mori critics Cruz defects Diario de Madrid discourse Doña drama dramatists El Censor Española French theater genius genre Gil y Zárate Girl give Golden Age comedies Golden Age plays Gorostiza Ibid imitation Iriarte Javier de Burgos Juan lack language Larra literary Lope de Vega Luzán Madrid manner María Marqués Martínez Memorial Literario Menéndez y Pelayo merit Molière Montiano moral Moratín Moreto Munuza Nasarre nation nature neo-classic comedy neo-classicism neo-classicists Nipho Obras observed original performed plot poet Poetics poetry popular praise precepts prologue reason recasts regular ridiculous romantic romanticism Rosa rules sainetes satire says scene Solís Spain Spaniards Spanish comedies Spanish stage Spanish theater spectators style taste theatrical three unities tion tragedy translation Velázquez verisimilitude verse writers written