New Spirit, New Sculpture, New Money: Art in the 1980sRichard Cork is one of the most serious, most influential, and best-informed art critics in Britain today. These four volumes contain a selection of his articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope. |
Contents
Richard Deacon | 4 |
May 1985 | 56 |
August 1986 | 76 |
Julian Schnabel | 84 |
Art and Mapping | 94 |
Bill Woodrow | 102 |
Art as Vessel | 109 |
The Shortcomings of the Turner Prize 3 December 1987 | 119 |
Meret Oppenheim 2 November 1989 | 308 |
The Saatchi Gallery Opens 23 March 1985 | 316 |
The Turner Gallery 9 April 1987 | 322 |
Two New Contemporary Galleries 7 May 1987 | 330 |
The Tate of the North 2 June 1988 | 337 |
Canadas new National Gallery 22 September 1988 | 343 |
Charles Simonds and Pier + Ocean 28 May 1980 | 352 |
Sport and Art 20 September 1980 | 358 |
Deacon and Cragg 15 December 1988 | 133 |
JeanMichel Basquiat 12 March 1996 | 146 |
Dan Graham 7 January 1982 | 161 |
Peter Kennard 8 August 1985 | 176 |
Jim Dines Graphic Work 27 February 1986 | 190 |
Boyle Family II December 1986 | 204 |
Mapplethorpes Portraits 7 April 1988 | 218 |
Sean Scully 25 May 1989 | 232 |
The Other Story 7 December 1989 | 245 |
Robert Rauschenberg 7 May 1981 | 250 |
Late Guston 18 November 1982 | 258 |
Francis Bacon 6 June 1985 | 266 |
Patrick Heron 29 August 1985 | 273 |
Lee Friedlander 7 August 1986 | 280 |
Cy Twombly 22 October 1987 | 287 |
David Bomberg in Retrospect 18 February 1988 | 294 |
Leon Kossoff 6 October 1988 | 301 |
New Sculpture Outdoors II November 1980 | 366 |
Hockney at the Opera 4 June 1981 | 370 |
Art and Architecture 25 January 1982 | 378 |
Artists in School Residencies 7 April 1983 | 386 |
Les Levine on the Street 19 September 1985 | 394 |
Sculpture in the Open 8 May 1986 | 402 |
State of the Art 13 February 1987 | 410 |
David Mach 28 April 1988 | 416 |
Tess Jaray at Victoria Station 9 June 1988 | 424 |
Anger and Hope in 1985 19 December 1985 | 440 |
Heathrow Blues 25 September 1986 | 450 |
Treasures at Risk 22 December 1988 | 466 |
Trees in Extremis 13 August 1989 | 474 |
482 | |
492 | |
Common terms and phrases
abstract achieve Alison Wilding Anish Kapoor Anselm Kiefer Antony Gormley appear architecture artists awareness become Bill Woodrow Britain British building called canvas carving celebrated centre colour contemporary art context Cragg culture Deacon decade display dominated early enormous exhibition explore fascination favour feeling figures floor forms Gallery's Gilbert & George grass grass Hayward Hayward Gallery identity images imagination inhabit installed Julian Schnabel Kiefer landscape London look ment modern art monumental mood Museum National Gallery never objects obsession offer once painters painting past photographs Picasso pigment play portrait present produced realise recent refusal remains reveals Richard Deacon Schnabel sculpture seems sense Serpentine Serpentine Gallery South Bank space staring stone street structure studio surroundings survey Tate Tate Gallery tion Tony Cragg transformed trees turn Turner Prize vision visitors wall Whitechapel Art Whitechapel Art Gallery whole women young