Old French Romances (Webster's Portuguese Thesaurus Edition)

Front Cover
Icon Group International, Incorporated, Nov 4, 2008 - 114 pages
Websters paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running English-to-Portuguese thesaurus at the bottom of each page, this edition of Old French Romances by William Morris was edited for three audiences. The first includes Portuguese-speaking students enrolled in an English Language Program (ELP), an English as a Foreign Language (EFL) program, an English as a Second Language Program (ESL), or in a TOEFL or TOEIC preparation program. The second audience includes English-speaking students enrolled in bilingual education programs or Portuguese speakers enrolled in English-speaking schools. The third audience consists of students who are actively building their vocabularies in Portuguese in order to take foreign service, translation certification, Advanced Placement (AP) or similar examinations. By using the Webster's Portuguese Thesaurus Edition when assigned for an English course, the reader can enrich their vocabulary in anticipation of an examination in Portuguese or English. TOEFL, TOEIC, AP and Advanced Placement are trademarks of the Educational Testing Service which has neither reviewed nor endorsed this book. All rights reserved. Websters edition of this classic is organized to expose the reader to a maximum number of difficult and potentially ambiguous English words. Rare or idiosyncratic words and expressions are given lower priority compared to difficult, yet commonly used words. Rather than supply a single translation, many words are translated for a variety of meanings in Portuguese, allowing readers to better grasp the ambiguity of English, and avoid them using the notes as a pure translation crutch.Having the reader decipher a words meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previo

About the author (2008)

Morris was the Victorian Age's model of the Renaissance man. Arrested in 1885 for preaching socialism on a London street corner (he was head of the Hammersmith Socialist League and editor of its paper, The Commonweal, at the time), he was called before a magistrate and asked for identification. He modestly described himself upon publication (1868--70) as "Author of "The Earthly Paradise,' pretty well known, I think, throughout Europe." He might have added that he was also the head of Morris and Company, makers of fine furniture, carpets, wallpapers, stained glass, and other crafts; founder of the Society for the Protection of Ancient Buildings; and founder, as well as chief designer, for the Kelmscott Press, which set a standard for fine book design that has carried through to the present. His connection to design is significant. Morris and Company, for example, did much to revolutionize the art of house decoration and furniture in England. Morris's literary productions spanned the spectrum of styles and subjects. He began under the influence of Dante Gabriel Rossetti with a Pre-Raphaelite volume called The Defence of Guenevere and Other Poems (1858); he turned to narrative verse, first in the pastoral mode ("The Earthly Paradise") and then under the influence of the Scandinavian sagas ("Sigurd the Volsung"). After "Sigurd," his masterpiece, Morris devoted himself for a time exclusively to social and political affairs, becoming known as a master of the public address; then, during the last decade of his life, he fused these two concerns in a series of socialist romances, the most famous of which is News from Nowhere (1891).

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