Orchestral Bowings and Routines |
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accent accommodation Allegro arrive audience Balance bar-line basic beat become Beethoven Beginning Cellos child chord clarity comes Compensation composer composer's concerned conductor confusing direction discussion down-bow dynamic effect eighth eighth-notes entrance especially Example exception execution factor falling feel figure forte four frog give given greatest half half-note inside player knowledge Lift the bow lifted linked long note marked means MICHIGAN middle mind Molto momentarily movement Measure musicianship normal Notice odd number orchestra Overture passage performance phrase played player present Principle printed problems quarter quarter-note requires rest rhythm rhythmic RULE separate short notes sight-reading simply sixteenth skill slur sound spiccato staccato start starts step stop strings stroke student sustained Symphony syncopation teacher teaching tempo thing third tone up-bow violins vivace whole written пу