Patterns and Perspectives in English Renaissance DramaThese essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation. |
Contents
Acknowledgments | 17 |
17 | 35 |
The Metamorphosis of Violence in Titus Andronicus | 41 |
Copyright | |
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action actor admiration antimasque appears Aristophanes audience Barabas Bartholomew Fair Bassanes Ben Jonson Caesar called Cambridge ceremony characters Charalois classical comic Constance controversia court critics dance death deceivers declamation dramatic Dryden edition Edward Edward II effect Elizabethan Emilia emotional English essay Fatal Dowry feelings final Fletcher friendship Gaveston gives Henry hero heroic humor ideal imitation Inigo Jones Ithocles John Ford Jonson Jonsonian King John knight Knight's Tale ladies laughter Lavinia London lover Mad Lover Marlowe Marlowe's masque masquers means Memnon moral Mortimer Noble Kinsmen onstage Orgilus Ovid pattern Peniboy Penthea performed Plautus play playwright plot poetry political praise present Queen Renaissance reprinted revenge rhetorical romance satire says scene seems Shakespeare sort spectacle spectators speech stage direction Stephen Orgel story suggest Tamburlaine Tamora Terence theater theme Theseus tion Titus Andronicus Titus's tradition tragedy tragicomedy transformation translation triumph University Press words