Philosophy of Art |
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A. C. Bradley abstract actually aesthetic experience Alba Madonna American Gothic Aristotle Arnheim art criticism art world artist artist's intention aspect autonomy Beardsley beauty causal chapter Clement Greenberg color concept course cultural describe Dickie and Sclafani distinction Eiffel Tower emotion Eugene Ionesco example exist expression external fact feeling fictional Figure film formal formalists heteronomous human idea imitation important internal interpretation intuitive judgments Kant kind language lines look meaning Monroe Beardsley nature notion ordinary painting particular perceived perception person perspective perspective art philosophers photograph picture Plate Plato poem poet poetry point of view probably problem question R. G. Collingwood realistic reality reason refer represent representation representational arts Roger Fry Rudolf Arnheim Selection in Rader sensation sense simply someone sort story subject matter suggest theory of art thetic things thought tion traditional tree true understanding unique vision words