Portuguese Style and Luso-African Identity: Precolonial Senegambia, Sixteenth - Nineteenth Centuries

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Indiana University Press, Dec 5, 2002 - Architecture - 208 pages

In this detailed history of domestic architecture in West Africa, Peter Mark shows how building styles are closely associated with social status and ethnic identity. Mark documents the ways in which local architecture was transformed by long-distance trade and complex social and cultural interactions between local Africans, African traders from the interior, and the Portuguese explorers and traders who settled in the Senegambia region. What came to be known as "Portuguese" style symbolized the wealth and power of Luso-Africans, who identified themselves as "Portuguese" so they could be distinguished from their African neighbors. They were traders, spoke Creole, and practiced Christianity. But what did this mean? Drawing from travelers' accounts, maps, engravings, paintings, and photographs, Mark argues that both the style of "Portuguese" houses and the identity of those who lived in them were extremely fluid. "Portuguese" Style and Luso-African Identity sheds light on the dynamic relationship between identity formation, social change, and material culture in West Africa.

 

Contents

Introduction
1
The Evolution of Portuguese Identity LusoAfricans on the Upper Guinea Coast from the Sixteenth Century to the Early Nineteenth Century
13
Sixteenth and SeventeenthCentury Architecture in the GambiaGeba Region and the Articulation of LusoAfrican Ethnicity
33
Reconstructing West African Architectural History Images of SeventeenthCentury Portuguese Style Houses in Brazil
59
The People There Are Beginning to Take on English Manners Mixed Manners in Seventeenth and EarlyEighteenthCentury Gambia
81
Senegambia from the MidEighteenth Century to the MidNineteenth Century
97
Casamance Architecture from 1850 to the Establishment of Colonial Administration
114
Conclusions and Observations
144
Notes
149
Bibliography
189
Index
199
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About the author (2002)

Peter Mark is Professor of Art History at Wesleyan University. He is author of The Wild Bull and the Sacred Forest and A Cultural, Economic, and Religious History of the Basse Casamance since 1500.

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