Retreat from Likeness in the Theory of Painting |
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abstract art abstract artist accurate copy admired admit aesthetic Albrecht Dürer appear Aristotle Aristotle's average form beauty become century Cézanne chapter character classical clear color common complete conceived conception copy theory criticism Cubism Discourses draw Dürer effect Enneads experience expression genius Greek hence Ibid ideal Idem imitation important individual ineffable insight interest Johnson Kandinsky kind Leonardo means Morton Shand mystic natural forms never original painter painting and sculpture Parrhasios particular passage Paul Cézanne perfect Phaedrus Pheidias philosophical physical world picture Plato Platonic Ideas Plotinus Plotinus and Schopenhauer poet Polygnotus Polykleitos produce Pythagoras reality recognizable objects recognized relation represents reproduce resemblance retreat Roger Fry Schopenhauer Schopenhauer's sense shape Sir Joshua Reynolds source of knowledge spectator stage statue term theory of painting things tion translation true unity universal vision Wassily Kandinsky words writing Zeuxis