Revolution in Clay: The Marer Collection of Contemporary CeramicsChronicles the history of the last half century of ceramic art as seen through the works of some 70 artists from the Marer Collection. Essays discuss artistic and historical issues such as the unity of the designer and maker and new stylistic avenues from the 1960s to the present. Includes color plates and a checklist of the entire collection. Annotation copyright by Book News, Inc., Portland, OR |
Contents
Presidents Foreword | 7 |
The Studio Pottery Tradition 19401970 | 17 |
The Otis Era 19541960 | 47 |
Copyright | |
4 other sections not shown
Common terms and phrases
1960 Stoneware abstract aesthetic American Ceramics Angeles artists Arts and Crafts Beatrice Wood began Bernard body Bottle Bowl California Ceramics Monthly ceramists Clark College color continued conversation Covered jar Craft Horizons created December decoration direction early exhibition expression expressionist figures fired forms Fred Marer Frimkess Gallery Garth glazed 11 glazed 2 x glazed 22 Heino History ideas influence Institute interest interview January Japanese Jerry Rothman John Mason June Kaneko kiln later Leach Levin Lidded container Los Angeles low-fire lustre March Marer Collection Marguerite Mary McClain Michael Museum of Art n.d. Earthenware n.d. Porcelain n.d. Stoneware Otis overglaze painting partially glazed Paul Soldner period Peter Voulkos pieces Plate Platter pots pottery Press Price produced Raku clay recalled Scripps College Sculpture seen shape Sheets studio studio pottery surface teaching Teapot traditional University Vase Vessel Voulkos's ware White Wildenhain York