Richard Serra and Robert Irwin: Phenomenology in the Age of Art and Objecthood |
Contents
ANALYSIS OF CHOSEN WORKS | 159 |
Corner Square by Richard Serra | 163 |
CONCLUSION | 250 |
1 other sections not shown
Common terms and phrases
abstract Abstract Expressionism aesthetic analysis appearance architecture art world Artforum articulate artists aspects becomes body buildings color conceptual Conditional Art consciousness construction context corner created critical defined determine disc Donald Judd edge effect endeavor environment essay existence experiential feet field formal frame gallery geometry gestalt grass grey grid ground grove horizontal Husserl interpretation James Turrell Krauss Kuspit light lines and planes located logic look Maria Nordman mark materials Maurice Merleau-Ponty means Merleau-Ponty mesh Minimal Art modern art Museum nature notion object objecthood operation painting perceived perception perceptual experience phenomenal art phenomenal component phenomenological phenomenological reading philosophy physical plates plaza position post-minimal presence prop pieces qualities relationship revealed Richard Serra Robert Irwin Robert Morris role Rosalind Krauss scrim sculpture sense shadows shape side space stands steel structure surface things Tilted Arc trees Turrell vertical viewer visual walkway wall Wright's Triangle writings Yve-Alain Bois