Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing |
Contents
General Editors Preface | 7 |
the Plot as Fate | 17 |
The Real Thing | 42 |
Copyright | |
6 other sections not shown
Common terms and phrases
according action actors actually Annie appears Archie Archie's argument attempt audience become begins behaviour Bones Cards central characters comic complex constitutes contemporary contrived conventions created critics death demonstration designed Dotty Dotty's drama effect established existence experience explanation express fact feelings George George's given Godot Guildenstern Are Dead Hamlet Henry House human intellectual interpretation Jumpers kind lecture lives logical London major McFee meaning merely moment moments moon moral motivates murder naturalistic offer Old Vic opening passionate performance perspective philosophy play play's Player plot political possible presentation production question Real Thing reality reflects relationship response reveals reviewers role Rosencrantz and Guildenstern routine Scene seems Shakespeare's significance situation social sophisticated space stage Stoppard suggests taking theatre theatrical turns typical universe values various visual Waiting well-made witnessed write