Semiotics and Lighting: A Study of Six Modern French CameramenInterviews with six photographers in Paris in 1972:- Nestor Almendros - Ghislain Cloquet - Henri Decae - Willy Kurant - Jean Rabier - Edmond Richard. |
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actors actual aesthetic Agnes Varda Almendros American André approach artist attitude Barbet Schroeder become Belgium black-and-white Bresson Cahiers du Cinéma camera cameraman Chris Marker cinematographer classical Claude Chabrol Clément close-up co-ph codes color connotation context course crew deal director Enkvist Eric Rohmer everything example exist exteriors feature film film noir filmmaking frame France François Truffaut French film Godard grammatical Henri Decae high-key Hollywood idea important indicated industry interesting interviews Jacques Jacques Demy Jean Rabier Jean-Pierre Melville kind Kurant linguistic look Louis Malle low-key Maurice Pialat mean modern French cinema norm operator Orson Paris photography possible problems production realistic relationship René Clément reproduction Robert Bresson screen semiotics shadows shooting shot signifier soft light specific style markers suggested technical technique television tell there's things understand visual