The Color of Democracy in Women's Regional Writing

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University of Alabama Press, Aug 17, 2009 - Literary Criticism - 217 pages
An exciting addition to the ongoing debate about the place of regionalism in American literary history.

American regionalism has become a contested subject in literary studies alongside the ubiquitous triad of race, class, and gender. The Color of Democracy in Women's Regional Writing enters into the heart of an ongoing debate in the field about the significance of regional fiction at the end of the 19th century. Jean Griffith presents the innovative view that regional writing provided Edith Wharton, Ellen Glasgow, and Willa Cather with the means to explore social transformation in a form of fiction already closely associated with women readers and writers.

Griffith provides new readings of texts by these authors; she places them alongside the works of their contemporaries, including William Faulkner and Langston Hughes, to show regionalism's responses to the debate over who was capable of democratic participation and reading regionalism's changing mediations between natives and strangers as reflections of the changing face of democracy.

This insightful work enriches the current debate about whether regionalism critiques hierarchies or participates in nationalist and racist agendas and will be of great interest to those invested in regional writing or the works of these significant authors.
 

Contents

Writing Region in the New Century
1
Is New York Such a Labyrinth? Street Life and Amalgamation in Whartons and Glasgows City
19
Virginia Is Not Dead but Sleepeth Segregation and the Family Black and White in Glasgows and Cathers South
71
Fortunate Country Old Immigrants and New Women in Cathers and Whartons West
129
Notes
183
Bibliography
201
Index
213
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About the author (2009)

Jean Carol Griffith is Assistant Professor of English at the Wichita State University.

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