The Psychology of Art: The creative art |
Contents
CHAPTER I | 15 |
Rheims XIIIth Century St John the Baptist Rheims Cathedral Roubier | 60 |
CHAPTER I | 65 |
Copyright | |
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abstract Acropolis angels Antiquity art-museum artist Baroque bas-relief become Buddha Buddhist Byzantine Byzantine art Byzantium canvas carved cathedrals century Cézanne Chartres Chinese Christ Christian classical colour copy Corot Crucifixion culture dead death Delacroix depict destiny discovered discovery divine Donatello drawing Egypt El Greco emotion eternal expression eyelids eyes face feel figures Flayed Ox frescos Gallo-Roman Gandhara genius gestures Giotto Gogh Gothic Gothic art Goya Greco Greek human imitating Ingres Italian landscape less light living forms look Louvre man's Masaccio masters means mediaeval art merely Michelangelo Moissac Musée Guimet nature never nudes once painter painting period Pheidias photographer picture Pietà portraits portrayal prophets Raphael realism Rembrandt Renaissance Renoir Rheims RHEIMS XIIIth CENT Roman Romanesque Rome Rubens Saint Saint Maurice scene sculptor seems significance smile soul statuary statues style stylized supreme symbol things Tintoretto Titian Toledo transfigurations Venetian Venice Virgin vision voice whereas دو