The Beautiful, the Sublime, & the Picturesque in Eighteenth-century British Aesthetic Theory |
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Addison aesthetic aestheticians agreeable Alison analogy analysis Analytical Inquiry appears architecture argument artist association associational psychology beauty and sublimity Blair Burke Burke's causes century chapter character color composition conception connection criticism David Hume delight Discourse discussion distinction doctrine Dugald Stewart edition effect emotions Essay on Taste expression faculties feelings Francis Hutcheson genius Gerard Gilpin grandeur Hogarth Hugh Blair human nature Hume Hume's Humphry Repton Hutcheson Ibid ideas imagination imitation induction intellectual internal senses judgment Kames's London Lord Kames method mind modes moral Nikolaus Pevsner novelty objects observes original pain painters painting passions Payne Knight perceived perception philosophical picture picturesque pleasure poetry principles produce qualities Reid relations remarks Repton Reynolds Richard Payne Knight scenes sensation sentiments Sir Joshua Reynolds Sketches and Hints species Stewart style Sublime and Beautiful theory Thomas Reid tion tragedy treated Treatise Uvedale Price variety virtue writers