The Birth of Tsugaru Shamisen Music: The Origin and Development of a Japanese Folk Performing Art |
Contents
Suda Naoyuki Daijō Kazuo and Anthony Rausch | 15 |
Nitabōs ChildhoodKanbara | 27 |
Turbulence of the Meiji Restoration | 39 |
Copyright | |
7 other sections not shown
Common terms and phrases
ability Andalusian Aomori Prefecture apprentices artisans artistic ballads beggars biwa-hōshi blues born bosama Bugaku bunraku Chosakubō created creative marginality cultural Daijō Kazuo Edo period eight-piece solo performance emerged ethnic festival flamenco genre goze groups Gunpachirō haikai Hirosaki history of Tsugaru Hogetsu ideographs itako itinerant Iwaki Iwaki River Japan Japanese Folk Performing Japanese music Japanese performing arts Jonkara jōruri kabuki Kanagi Kanbara Kida Rinshoei Kinobō kuchiyose Kyōgen learned mances Meiji Meiji period melody Min'yo Mircea Eliade Momo musical forms musicians Nihon Nitabō nōgaku outcaste play the shamisen plucking popular possessed rice role Sakurai Tokutaro sarugaku séance sect shakuhachi shaman shamanic figures shamanic trance shamisen performer shamisen playing Shrine singers singing contests social periphery society songs sounds spirits strolling style of shamisen Takahashi Chikuzan technique Tohoku Region traditional Japanese Tsug Tsugaru district Tsugaru Hand Dance Tsugaru region Tsugaru shamisen boom Tsugaru shamisen music Tsugaru shamisen players village