The Concept and Evolution of Raga in Hindustani and Karnatic Music |
Contents
Classification Of Ragas | 52 |
Suddha chāyālaga and Sankirṇa | 59 |
JanakaJanya Raga Classification | 70 |
4 other sections not shown
Common terms and phrases
72 Melas ālāpana Ancient Tamil Ancient Tamil Music Anga Arohaṇa Asaveri Auḍava Avaroha Avarohana Bageshree Bhairavi Bharata Bhāṣā Bhatkhande Bilawal Bṛhaddeśī Century A.D. chakra Chatuśśruti Deśī Dha Dha Dha Ni Dha Dhaivata elaboration evolution of Raga gamakas Gāndhāra Gītis Graha Grāma Grāma-rāga-s Hindustani and Karnatic Hindustani music Indian music Janaka Janya Janya rāga-s Jātis Kafi Kalyāṇ Kalyāņi kampita Karnatic music Khamaj Komal Kriti lakṣaṇas Madhyama Grāma Mārga Matanga Māyāmālavagaula Melakarta Melas melody Mohanam Mūrcchanās musicians Nishāda nyāsa svaras Paddhati Pañcama Pann phrases prayogas Pūrvi rāga Raga classification rāga-s RAGINIS rakti Rāmāmātya rasa Sa-Grāma Saḍja Sampurna sañchāras Sangita Sangītaratnākara Sankarābharaṇam Sarngadeva scale seven notes śrutis Suddha Suddha Madhyama suddha svaras sung svaras Tāla Tamil Music Tevaram THĀṬ Thāts Tivra Toḍi Tyagaraja Upanga Uttaranga Vādi Vakra Varja Venkatamakhin Vibhāṣā Vikṛt ग म प ध नी सा प ध नी म प ध रे ग म सा रे ग