The Influence of Nonharmonic Partials on Tone Perception |
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Acoust Adjustable Tone Amer amplitude analytical listening auditory system CCRMA Chapter complex tone components consonance conventional critical band dimension dispersion equation 2.3 exponential envelope Fixed Tone frequency range Function of Base fundamental frequency fused fusion estimation Goldstein harmonic partials harmonic series inharmonic input Inserted Partial instruments INTERVAL MEMORY HYPOTHESIS Interval Tuning IRCAM Mathews measure melodic microtonal minor third msec musical intervals musicians Nearly Harmonic Region nonharmonic partials nonharmonic stimuli nonharmonic tones octave overtone structure partial structure Partial to Fundamental pattern perception percussion instruments performance piano Pierce Plomp plots potentiometer psychoacoustic RATIO OF FUNDAMENTALS Ratio of Inserted residue pitch RMS DEVIATION Same-Different Similarity Space scale semitone signal SINDSCAL Slaymaker sound spectral envelope standard fundamental stimulus stimulus tone stretched tones Subject Profile temporal envelope Terhardt theory timbre tonal tone fusion tones with harmonic trapezoidal trials unitary pitch Weight's Space