The Playing of Chamber Music |
Contents
INTRODUCTORY | 1 |
METHOD IN REHEARSAL | 7 |
A PERFORMERS ANALYSIS OF THREE STRING | 15 |
Copyright | |
1 other sections not shown
Common terms and phrases
1st violin 2nd violin accent accompaniment advisable applies avoid balance bars later beat of bar Beethoven beginning cello chamber music chord clear continues course crescendo crotchet difficult diminuendo effect ensemble entry equal example extremely finger flautando forcing four bars fourth give given half of bar hand important instruments keep last half lead less lifted lower marked melody ment method move movement Mozart nature necessary never Notice occurs onwards opening particularly passage performance phrase piano played players possible practical prominent quartet quavers quick rehearsal remains repeated rhythm score semiquavers similar similarly slight slightly soft solo sound staccato start starting strict string sudden taken tempo third throughout tone trill turn up-bow upper usually vibrato viola and cello violin and viola violin in bar whole wind