Theories of Illusion and Distance in the Drama: from Lessing to Brecht |
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¹Ibid 2Ibid 3Ibid 5Ibid action actor appear Arno Holz artistic aspect audience August Wilhelm August Wilhelm Schlegel awareness belief Berlin Lectures Bertolt Brecht Brecht CALIFORNIA LIBRARY characters chorus comedy concept concerned considered create deception defined discussion distance Dram drama dramatist effect elements emotional Epischen Theaters experience fiction formulation free perspectives freedom Friedrich Friedrich Hebbel Friedrich Schiller Friedrich Schlegel function goal Goethe Gotthold Ephraim Lessing Hebbel Hermann Bahr Hofmannsthal Holz Holz's Hugo von Hofmannsthal Ibid illusion of actuality imagination indirect representation inevitably insistence intended involves irony Kunst Lessing Lessing's lIbid Mendelssohn modern mood nature Organon Otto Ludwig parabasis pleasure poet poetic illusion poetry possible realistic reality realm Richard Wagner Romantic Schein Schiller Schriften zum Theater Shakespeare spec specifically spectator response spectator's stress symbolic Täuschung techniques theory Tieck tion tragedy tragic truth Ueber Verfremdungseffekte Verlag Vienna Lectures Wagner Werk wirklich Wirklichkeit Zola Zuschauer