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Theories of Art after MICHAEL FRIED
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19th century abstract aesthetic Art and Objecthood art world artists audience avant-garde Barbara Kruger Baudrillard Benjamin body capital Caro concept construction contemporary context critical practice culture Daniel Buren deconstruction Dia Art Foundation discourse discussion DOUGLAS crimp essay ethical ethnographic example fact feminist function Gordon Matta-Clark Haacke hal foster historical Homo Video hyperreal idea ideological imaginary institutions issues Jean Baudrillard kind Krzysztof Krzysztof Wodiczko Lacan machine MARTHA ROSLER mean ment Michael Michael Fried Minh-ha minimalist modern modernist museums nature notion objects opposition opticality painting past political position postminimalist present produced public sphere question regime relation represent representation resistance Rosalind Rosalind Krauss salvage paradigm sculpture seems sense sexual social space speak specific stakes strategy structures talk theatrical theory there's things Third World tion tradition viewer voice western women writing Yvonne Rainer