Discussions in Contemporary CultureTexts and transcripts from a series of weekly discussions sponsored by the Dia Art Foundation. |
Contents
DOUGLAS CRIMP | 31 |
Theories of Art after | 55 |
Legacies of Critical Practice | 88 |
Copyright | |
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abstract actual aesthetic appropriation argument Art and Objecthood artists assume attempt AUDIENCE authority become Benjamin body called capital century claims collection concern condition construction contemporary continued course critical culture defined desire developed discourse discussion effect essay example experience fact FOSTER function given hand historical idea important institutions interest issues it's kind late least machine mean minimalism museums nature notion objects opposition origin painting particular past political position possible practice present problem produced question recent reference regime relation represent representation resistance response salvage sculpture seems sense sexual social space speak specific stakes statement strategy structures suggested talk theory there's things Third World tion tradition viewer voice western women writing