The Girl who Trod on a LoafA young woman in flight from her past, and an old woman whose secrets are contained in the grave . . . With this configuration Kathryn Davis, the acclaimed author of Labrador, begins a novel of true bravura - about opera, Denmark, adultery, and murder. In upstate New York, Frances Thorn waits tables in a diner, despite her privileged, educated background, and raises her twin daughters without the presence or even a memory of their father. But these puzzling circumstances are made stranger still, and inalterably changed, when she meets an elderly Danish woman named Helle Ten Brix, a renowned but esoteric composer now living with relatives in the same small town. At the heart of this peculiar friendship is a folktale, later retold by Hans Christian Andersen, about a prideful girl: rather than ruin her new shoes while crossing the treacherous bogs, she uses the loaf of bread intended as a present for her parents as a stepping-stone - only to be condemned for her arrogance to a horrible fate, trapped at the bottom of the bog forever. She is also the subject of Helle's final opera, left unfinished at her death and willed, along with the rest of her music, to Frances. From this curious legacy Frances must not only unravel the mysteries of the composer's life and work, but also confront the sorrow they have come to share. The story of two very different women contending with themselves and with each other, this is as well a short course in the opera, a kind of sexual history of the twentieth century, and a philosophical - even religious - passage from despair toward redemption. In the perfection of its language, in its dignity and wit, a novel at once sophisticated, humane, and whollyremarkable. |
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according Anders appeared asked become begin birds blue body called close couldn't course Daisy Dancer dark dead didn't difference door dress drop explained eyes face fact fall feel feet figures finally floor front girl going green Gunhild hair hand happened head hear heart Helle Helle's human idea Inger kitchen knew later least leaves light lips living looked Maeve matter minute morning mother mouth move neck never night once opera piece played realized remained Ruby seemed she'd side single sings sitting smell sound stage standing stream suggested tell thing thought told took trees trying turned twins voice walked wall wanted wasn't watch window woman women young