Icons: Magnets of Meaning
San Francisco Museum of Modern Art, 1997 - Art - 271 pages
What do objects mean to us? What messages do they send? What values and lifestyles do they represent? From blue jeans and surfboards to cosmetics and kitchen gadgets, twelve everyday objects are recast as icons -- single, physical forms that embody a complex universe of associations -- and explored as benchmarks for the current state of design. This striking volume accompanies the groundbreaking exhibit at the San Francisco Museum of Modern Art, to run April to August 1997. With essays by Chee Pearlman, David E. Nye, Steven Flusty, and Aaron Betsky, "Icons" forges a new relationship between design, consumer culture, and the aesthetics of desire.
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Rural Studio: Samuel Mockbee and an Architecture of Decency
Andrea Oppenheimer Dean
Limited preview - 2002
Aaron Betsky abstract advertising Aldo Rossi American cultural appears architects architecture argue artifacts associations baseball bat become iconic Ben Blackwell Blackwell blue jeans body bottom buildings Califomia camera central Coca-Cola Coke bottle Collection condensation consumer consumption corporate create dense devices emblem engineers enigmatic everyday evoke exhibition Frank Gehry function global graphic design human iconoclastic icons KitchenAid landscape lipstick lives logo look Luxor Hotel Magnets of Meaning mandala mass mass-produced material minicam mixer Modem Art Museum of Modem Nike Airs Nike Swoosh notion objects ourselves Penn Jillette perfect Philippe Starck photo courtesy piece plastic popular possible production representational art Robert Venturi Ross Lovegrove Rudy VanderLans San Francisco Museum sense shape shoes social society space streamlined structures surfboard symbol thigh cho things Tibor Kalman tion trademark translucency University Press urban York Zuzana Licko