The Weather

Front Cover
New Star Books, Limited, 2001 - Poetry - 78 pages
9 Reviews
Poetry. New work by the best-selling author of XECLOGUE and DEBBIE: AN EPIC. "Consider that we need to drink deeply from convention under faithfully lighthearted circumstances in order to integrate the weather, boredom utopic, with waking life. By 'integrate' we mean: to arc into a space without surface as if it were an inhabitable, flickering event. And by 'convention' we refer to our improprietous infiltration of the long citations of grooming, intimacy, and prognastication. Like flags or vanes, we signify an incommensurability. No elegance is self-sufficient. No-one is old enough to die or to love. The weather is a stretchy, elaborate, delicate trapeze, an abstract and intact conveyance to the genuine future which is also now. Mount its silky rope in ancient makeup and polished muscle to know the idea of tempo as real" - from the Introduction by Lisa Robertson.

From inside the book

What people are saying - Write a review

User ratings

5 stars
6
4 stars
2
3 stars
0
2 stars
1
1 star
0

Review: The Weather

User Review  - Patrick Gaughan - Goodreads

In her introduction, Lisa Robertson describes the weather as boredom utopic, an ever-present entity to relish or blame depending on the season or amount of cloud. Weather is language's default ... Read full review

Review: The Weather

User Review  - Carrie Lorig - Goodreads

lit up 5 star duh? robertson is already making what i want to do so big and split and possible. it's a micro / macro scopic diorama made of felt and bone and building. sentences clean and precise and filled with filthy depth and care. astounding. Read full review

Contents

Section 1
6
Section 2
15
Section 3
52
Copyright

2 other sections not shown

Common terms and phrases

About the author (2001)

Lisa Robertson (born on July 22 1961) in Toronto is a Canadian poet who currently lives in Oakland. In 1979, she moved to British Columbia, where she remained for twenty-three years. During her time there, she was a member of The Kootenay School of Writing, which is a non-profit society that offers an alternative to the mainstream pedagogy of most Canadian universities. Although it is not necessarily acknowledged as much as her ties to The Kootenay School of Writing, she was integrally involved in Vancouver's art scene. Robertson is an honorary board member of Artspeak Gallery. She has written on and reviewed exhibitions and pieces by Kelly Wood, Robert Garcet, Liz Magor, Allyson Clay, Kathy Slade, and Hadley+Maxwell, among others. She has also written on architecture and sites in British Columbia, such as New Brighton Park and Value Village. Robertson contributed the "Beneath the Pavilions" column to Mix from 1997-1999. She co-edited the poetry journal Raddle Moon with Susan Clark in Vancouver, and has worked as an arts journalist, a book seller, a copy editor, an astrologer, a guest lecturer, and an essayist. She has written on the work of Robin Blaser, Denise Riley, Dionne Brand, Peter Culley, Ted Berrigan, John Clare, Lorine Niedecker, Pauline Reage, Michele Bernstein and Albertine Sarrazin. In 2006, she was a judge of the Griffin Poetry Prize and Holloway poet-in-residence at UC Berkeley. Currently she is artist-in-residence at California College of the Arts, in San Francisco

Bibliographic information