Sibylline Sisters: Virgil's Presence in Contemporary Women's Writing

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Oxford University Press, Sep 1, 2011 - Fiction - 284 pages
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The history of Virgil and his receptions is long and varied. His twentieth-century career transformed his appearance as an anaemic imitator of Homer into the 'Father of the West', speaking above all for the marginalized and exiled. At the turn of the millennium it is women writers who, having been largely absent from the story of Virgil's reception, are for the first time shaping a new aetas Vergiliana by drawing on his poems to speak of their own preoccupations and concerns. Through an analysis of Virgil's presence in the work of contemporary women writers from North America (Joyce Carol Oates, Janet Lembke, Ursula Le Guin), Britain (Margaret Drabble, A. S. Byatt, Ruth Fainlight, Michèle Roberts, Carol Ann Duffy, U. A. Fanthorpe, Josephine Balmer), Ireland (Eavan Boland), and continental Europe (Christa Wolf, Hélène Cixous, Charlotte Delbo and Monique Wittig), this book identifies a new Virgil: one who speaks in female tones of the anxieties, exclusions, pleasures, and threats of the contemporary world. While each of the female writers included in this volume draws upon her own distinct cultural heritage, Cox focuses on a number of shared themes and values which emerge through their work. Through the works of these modern versions of the Sibyl, Virgil speaks both of explicitly female concerns and wider cultural issues and threats that shadow modern life.
  

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Contents

1 Introduction
1
2 Virgil in Contemporary Womens Poetry
19
3 Ruth Fainlight
47
4 Eavan Boland
69
5 Michèle Roberts
97
6 Margaret Drabble
115
7 A S Byatt
135
8 Christa Wolf
153
9 Monique Wittig
181
10 Joyce Carol Oates
209
11 Janet Lembke
231
12 Ursula Le Guin
247
13 Conclusion
265
Bibliography
271
Index
281
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About the author (2011)

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Fiona Cox is currently Senior Lecturer in French at the University of Exeter, where her research interests include classical reception, modern French literature, and contemporary women's writing.

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